A Blog about the Wardour Castle Summer Schools 1964, 1965

Gilbert and Lumsdaine

It was Anthony Gilbert who in various ways first prompted this research. Gilbert’s interview with Michael Hall that Hall quoted in his book* was the first mention of the WCSSs that I read, and remains one of the most significant passages on the topic in the published literature. Gilbert’s look of incredulity at my lack of knowledge of events from the 1960s spurred me to the particular research of this blog, and he had repeatedly offered to talk to me about the events. When I finally contacted him to make a date for this interview, he suggested including his old friend David Lumsdaine (who Gilbert first met at Wardour) and so the recorded conversation took place in York, with Gilbert travelling there from Manchester. This paragraph is a prolix way of saying that ‘I’m very grateful’.

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Filed under: Commentary from Interviews, How was it funded?, Legacy of the WCSSs, Other information, What music was performed?, What was analyzed/discussed?, Who was there?, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

5/6 concerts and the Arts Council’s guarantee

Following the submission of the accounts for the 1965 series of concerts was correspondence between the Arts Council and the H.O. Young, the treasurer of the WCSS.

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Accounts for 1965

1965 Accounts

The following are excerpts from the 1965 Certified Statement of Accounts, held at the V&A (ACGB/51/1265)

It is curious that no payment was made for music hire… It is also interesting to see the insistence with which the Arts Council corrects the accounts to conform to their commitment to guarantee 5 concerts and not six. There seems to have been a close eye kept on ensuring that the support the arts council gave was transparent and not confused with overall support for the summer school. One thinks of how rarely the arts council is credited as such in today’s concert programmes, where, instead, an arts council logo appears alongside other supporters. The full amount of the guarantee was paid, since the reduced deficit was still more than double the guarantee.

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1965 budget

The V&A archive (ACGB/51/1265) contains the accounts for the 1964 and 1965 summer schools and a budget for the 1965 event. I have posted the 1964 accounts here.

One of my research questions considers ways in which these summer schools were funded, and how this reflects prestige, as well as indicating the priorities of the events. Here is the budget for the 1965 events.

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Filed under: General details of the Summer Schools, How was it funded?, What music was performed?, , , , , , , , , , , , , , , , , , , , , , ,

1964 accounts

The V&A archives contain the accounts for both WCSSs.

(ACGB/51/265; see 1)

The items of expenditure are fairly unremarkable:

Catering, boarding out & gratuities. £573- :- 9
Caretaker, laundry, transport kitchen and domestic wages. 275- 19- 1
Artistes’ and orchestral fees. 432- 5- :
Heating, lighting, hire etc. 155- 8- :
Stationery, printing and advertising. 461- 1- 10
Hon. Secretary’s postages. 15- 13- 3
Hon. Treasurer’s do [H.O. Young] 12- 15- 5
Chairman’s telephone 72- 7- 10
Insurance, postage & sundries 89- 17- 3
2.088- 8- 5

However, it also gives the names of the employed tutors all of whom were offered £50 and all of whom waived their fees to balance the accounts.

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Funding, the SPNM and the ICA

The archived documents for the Arts Council of England’s annual report for 1965/66 includes a brief report from the SPNM accounting for its activities, which closes with the sentence:

‘In addition to these activities, a contribution of £250 was also made towards first performances of new works by young composers at the Wardour Castle Summer School of Music.’ (ACGB/51/265, ACGB/50/1310; see 1)

The Arts Council’s annual report included the following about the SPNM: Read the rest of this entry »

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