Wardourcastlesummerschool

A Blog about the Wardour Castle Summer Schools 1964, 1965

Gilbert and Lumsdaine

It was Anthony Gilbert who in various ways first prompted this research. Gilbert’s interview with Michael Hall that Hall quoted in his book* was the first mention of the WCSSs that I read, and remains one of the most significant passages on the topic in the published literature. Gilbert’s look of incredulity at my lack of knowledge of events from the 1960s spurred me to the particular research of this blog, and he had repeatedly offered to talk to me about the events. When I finally contacted him to make a date for this interview, he suggested including his old friend David Lumsdaine (who Gilbert first met at Wardour) and so the recorded conversation took place in York, with Gilbert travelling there from Manchester. This paragraph is a prolix way of saying that ‘I’m very grateful’.

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Comments by Bayan Northcott on the 1964 WCSS

Speaking with Bayan Northcott uncovered a wealth of information about the WCSSs and the period in which they occurred. This post draws together some clips from the interview. The interview progressed with Northcott going through his diary.

He began with some contextual remarks about the scene, and the position of Maxwell Davies, Birtwistle and Goehr.

First a comment about the number of people in attendence:

(LS100049, 1’53”) Read the rest of this entry »

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1964 Concert Programme with comments

1964 Programme of Concerts as given in the publicity leaflet, a copy of which was given to me by Michael Hall. The comments are those by Hugh Wood. As further composers are interviewed their comments will be added alongside those by Wood.

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1964 Programme of Concerts

1964 Programme of Concerts as given in the publicity leaflet, a copy of which was given to me by Michael Hall.

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1965 budget

The V&A archive (ACGB/51/1265) contains the accounts for the 1964 and 1965 summer schools and a budget for the 1965 event. I have posted the 1964 accounts here.

One of my research questions considers ways in which these summer schools were funded, and how this reflects prestige, as well as indicating the priorities of the events. Here is the budget for the 1965 events.

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1965 Concert Programme

1965 Programme of Concerts submitted to the Arts Council following their support of some of the concerts in the series. More on that later. One of the aims of this research was to make accessible information of the kind present here. There are some fascinating concerts, with lots of early music alongside new works. I would love to hear the Busoni (arranging Bach), Bach (arranged Goehr), Mozart, Holloway, Gibbons, Eisler concert. Fascinating.

I haven’t included the programme notes, and no author is given for most of these. A playlist of those works here that are also available on spotify can be found here: WCSS. It’s a collaborative playlist so if you find a work that I haven’t listed you can add it. You can also delete tracks and add new ones (perhaps you don’t like my choice of performers?). The recording of Birtwistle’s Tragoedia is by the Melos Ensemble with Lawrence Foster conducting.

(ACGB/51/265; see 1)

[5]

WARDOUR CASTLE SUMMER CONCERTS

President: MICHAEL TIPPETT

Director: HARRISON BIRTWISTLE

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A review of the Wardour Castle Concert 1965

This review from the Times, 1965. I love the crossword-cryptic final two sentences (and that they appear with the verso of The Times Crossword Puzzle).

Wardour Castle Concert

For the past two years a week’s unique kind of summer school for composers and other interested in their problems has been held at Wardour Castle in Wiltshire. In the evenings doors are open to the general public for concerts cleverly juxtaposing old and new music, some of it brand new, such as on Friday when the Melos Ensemble introduces works which they themselves had commissioned from the school’s director, Harrison Birtwistle, and Peter Maxwell Davies. Read the rest of this entry »

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What was analyzed/discussed?

Music analyzed and discussed:

1964:

  • Proposed: CPE Bach Morgengesand, Gibbons London Street Cries, Gabrielli Canzonetta a 12, Peter Maxwell Davies New Choral Work1
  • ‘Rhythmical implications’ ‘Der kranke Mond’ from Pierrot Lunaire presented by Alexander Goehr. (Hall, Michael (2003) Between Two Worlds: The Music of David Lumsdaine (Todmorden, Arc Publications), 31-32.)
  • Birtwistle’s Three Movements with Fanfares. ‘Perotin, Machaut, Dufay and Dunstable’, particularly the latter composer’s Veni sancte spiritus (Hall, Michael (2003) Between Two Worlds: The Music of David Lumsdaine (Todmorden, Arc Publications), 31-32.)

1965:

  • ‘Bach inventions, Mahler III, Pierrot1, 2
  • Schoenberg’s Pierrot Lunaire, the first movement of Mahler’s third symphony, Bach Two-Part Inventions (Seabrook, Mike (1994), Max: The Life and Music of Peter Maxwell Davies (London: Victor Gollancz), 94.)

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