Wardourcastlesummerschool

A Blog about the Wardour Castle Summer Schools 1964, 1965

Northcott’s general comments

I asked Northcott about the motivation for starting the WCSSs, and why they were needed when Dartington and Darmstadt were already running:

(LS100049, 1:05’53”)

(LS100049, 1:12’13”)

Having gone through the concert programme, Northcott moved on to his memories of the other classes and activities from the 1965 school. Maxwell Davies’ analysis classes included Bach Inventions, Pierrot Lunaire and the first movement of Mahler’s Third Symphony, all as advertised.


(LS100049, 1:48’34”)

There are some implications of his teaching of Mahler 3 that will become apparent in my review of Peter Maxwell Davies Studies to be published in Music & Letters.

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Advertisement for the 1965 WCSS

The following is the text from a flyer/booklet advertising the 1965 WCSS.

[1]

THE WARDOUR CASTLE SUMMER SCHOOL OF MUSIC

14th–22nd AUGUST, 1965

President:

MICHAEL TIPPETT

Musical Directors:

HARRISON BIRTWISTLE

PETER MAXWELL DAVIES

ALEXANDER GOEHR

Read the rest of this entry »

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What was analyzed/discussed?

Music analyzed and discussed:

1964:

  • Proposed: CPE Bach Morgengesand, Gibbons London Street Cries, Gabrielli Canzonetta a 12, Peter Maxwell Davies New Choral Work1
  • ‘Rhythmical implications’ ‘Der kranke Mond’ from Pierrot Lunaire presented by Alexander Goehr. (Hall, Michael (2003) Between Two Worlds: The Music of David Lumsdaine (Todmorden, Arc Publications), 31-32.)
  • Birtwistle’s Three Movements with Fanfares. ‘Perotin, Machaut, Dufay and Dunstable’, particularly the latter composer’s Veni sancte spiritus (Hall, Michael (2003) Between Two Worlds: The Music of David Lumsdaine (Todmorden, Arc Publications), 31-32.)

1965:

  • ‘Bach inventions, Mahler III, Pierrot1, 2
  • Schoenberg’s Pierrot Lunaire, the first movement of Mahler’s third symphony, Bach Two-Part Inventions (Seabrook, Mike (1994), Max: The Life and Music of Peter Maxwell Davies (London: Victor Gollancz), 94.)

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