A Blog about the Wardour Castle Summer Schools 1964, 1965

More methodology

Part of the theoretical basis for deciding to undertake this research by way of the medium of a blog was to explore the potentially-collaborative, connective nature of the medium as a way of disseminating ideas about these events, of placing the scarcity of published writing about the events at the fore of the research, of positioning my lack of knowledge as a potentially positive aspect of the research, and of embedding the research within a critical discourse wherein aside from the mode of research my be naïve, misguided, progressive, or experimental, as many of its aspects as possible are available for comment. The specific forms of this medium allows easy tracking of such comments, implicit or explicit, with alerts extending to, for example, linkbacks. The extent to which the basis for choosing this medium is complicated by what I sense to be some reluctance to make overt, public criticism is becoming more apparent, and therefore it’s appropriate and useful to add this post. As much as I am curious about the events that took place at Wardour Castle I am curious as to why they have received little published attention. I am interested in the impact that the hegemonies operating within scholarly publishing, promotion in the music industry, and such have in shaping the access to materials about these events and the people who were participants. Read the rest of this entry »

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Dr Michael Hooper

I am a performer and musicologist.

For details of my activites and to hear recordings please visit: www.hoopermusic.com

This is the blog for my research into the two Wardour Castle Summer Schools, which took place in 1964 and 1965. One of the motivations for this research came from my doctoral studies of the music of David Lumsdaine. Over the period of that study (2004-2008) I became increasingly aware of how little published material exists that details events in the music life of the 1960s. This blog charts some of the research that I am undertaking to contribute to the documentation of that time. It is one part of a research project that also seeks to detail the SPNM Composer Weekends that were founded by Anthony Gilbert, David Lumsdaine and Don Banks and which ran from 1967.

For those who took part in these events, this blog no doubt appears woefully lacking in information – addressing this issue is the motivation for the blog. So, post comments or email me with the information that you think I ought to know.


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