Copyright

One of the issues that is raised by making information publicly available through this medium is that of copyright. I earlier posted tangentially about copyright, when I made reference to Chris Anderson and suggested that one of the topics that this blog will explore is that of scholarly publishing. This blog is not in the typical sense peer reviewed, though each post has room for comments to be left by any who care to do so. For the most recent interviews I have made the presence of the blog known to the interviewee, who, if they are so desirous, can peruse the contents of the blog and comment as they wish. I have posted on Bayan Northcott’s engagement with this blog immediate before our interview, and the effect that it had on the subsequent discussion.

Filed under: Methodology, copyright, Eebahgum, Gerda Arendt, Melos Ensemble, NMC, Northcott, wikipedia

Comments by Bayan Northcott on the 1965 WCSS

Speaking with Bayan Northcott uncovered a wealth of information about the WCSSs and the period in which they occurred. This post draws together some clips from the interview. The interview progressed with Northcott going through his diary.

Filed under: General details of the Summer Schools, Interviews, What music was performed?, Babbitt, Bach, Bedford, Beethoven, Bethany Beardslee, Bill Colleran, Birtwistle, Busoni, Cage, Cardew, Debussy, Edward Downes, Eisler, Emmanuel Hurwitz, Feldman, Gibbons, Goehr, Holloway, Leonard Stein, Martirano, Maxwell Davies, Melos Ensemble, Messiaen, Mozart, Northcott, Philomel, Pierrot Lunnaire, Schoenberg, Schubert, Sherlaw Johnson, Smalley, Stephen Pruslin, Stockhausen, Subotnick, Taverner, Tragoedia, Webern

Comments by Bayan Northcott on the 1964 WCSS

Speaking with Bayan Northcott uncovered a wealth of information about the WCSSs and the period in which they occurred. This post draws together some clips from the interview. The interview progressed with Northcott going through his diary.

He began with some contextual remarks about the scene, and the position of Maxwell Davies, Birtwistle and Goehr.

First a comment about the number of people in attendence:

(LS100049, 1’53”)

Filed under: Commentary from Interviews, General details of the Summer Schools, What music was performed?, What was analyzed/discussed?, Who was there?, Alldis, Bayan No, Bedford, Birtwistle, Brahms, Britten, Bruckner, Byrd, C.P.E. Bach and Satie, Carr-Boyd, Cocke, Cornish, Cowie, Dunstable, Ellis, Gabrielli, Gambier, Gilbert, Goehr, Holloway, Isaac, Maschera, Maxwell Davies, Melos Ensemble, Mendelssohn, Messiaen, Monteverdi, Morley, Mozart, Northcott, Patrick Carnegie, Pezel, Pilkington, Scheidt, Schoenberg, Schubert, Smalley, Stravinsky, Taverner, Tippett, Tomkins, Verdi, Wilbye, Wood, Zipoli