It was Anthony Gilbert who in various ways first prompted this research. Gilbert’s interview with Michael Hall that Hall quoted in his book* was the first mention of the WCSSs that I read, and remains one of the most significant passages on the topic in the published literature. Gilbert’s look of incredulity at my lack of knowledge of events from the 1960s spurred me to the particular research of this blog, and he had repeatedly offered to talk to me about the events. When I finally contacted him to make a date for this interview, he suggested including his old friend David Lumsdaine (who Gilbert first met at Wardour) and so the recorded conversation took place in York, with Gilbert travelling there from Manchester. This paragraph is a prolix way of saying that ‘I’m very grateful’.
Filed under: Commentary from Interviews, How was it funded?, Legacy of the WCSSs, Other information, What music was performed?, What was analyzed/discussed?, Who was there?, Babbitt, Birtwistle, Boulez, Brecht, Byrd, Cage, Die Reihe, Don Banks, Dunstable, Eisler, Feldman, Gabrielli, Gambier, Gilbert, Goehr, Hall, John Alldis, Kelly Ground, Lumsdaine, Maxwell Davies, McGaw, Messiaen, Scheidt, Smalley, SPNM, Stephen Pruslin, Stockhausen, Taverner, Tomkins, Wood, Zipoli
31/08/2010 • 1:17 pm 0
Roger Smalley
I met with Roger Smalley in Glebe, Sydney, 7 April, 2010. I interviewed him partly for his recollections as a participant at the WCSS and partly to find out more about his performance there in 1965. As a member of the Composers’ Ensemble he performed in one of the last concerts on the 1965 programme, which was a substantially different to the other concerts. It consisted of Cage, Feldman, Cardew, Messiaen, Stockhausen and one of Smalley’s compositions, Two Poems of D. H. Lawrence.
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Filed under: Commentary from Interviews, Cage, Cardew, Composers' Ensemble, Feldman, flights, Gilbert, kangaroo hunt, Kelly Ground, Lumsdaine, Messiaen, pulses, Smalley, Stockhausen, Tippett